Whether you’re working on a novel, a memoir, or journalistic piece or are just developing your writing skills, the King’s Writing Workshops can help you become the author you want to be. Our non-credit 4- and 8-week workshops are open to everyone, everywhere, whether you’re still at the idea phase or already have words down on the page!
SPECIAL PRICING: Members of the Writers’ Federation of Nova Scotia, University of King’s College students, faculty, staff, parents, and alumni receive a discount of $50 on 8-week courses and $25 off on 4-week courses!
King’s has a limited number of bursaries available for students requiring financial assistance. Bursary applications available soon.
Got a strong opinion, a wild personal story, or a hot take on an important issue in the news? Freelance writing is exciting, but it can be a tough line of work to get into.
In this practical workshop, students will:
Tamara Baluja is an award-winning Canadian journalist and a bestselling author. She’s worked as a freelance writer and editor for several years before joining CBC News. In her current role as the First Person Producer for CBC News, she reviews multiple pitches from freelance writers and commissions, edits and fact-checks personal essays for a Canadian audience. As a producer, she’s skilled at finding the emotional heart of the story and identifying the missing elements that, if included, make the final content unforgettable. Her previous journalism credits include the Globe and Mail, Toronto Star, and Newstalk 1010. Tamara is also a creative storyteller with a passion for human-interest stories and strong narrative arcs. She is the co-author of The Heart of a Superfan, a memoir of the extraordinary life of Nav Bhatia, the Toronto Raptor’s greatest fan.
In this four-week workshop, we’ll dive into the foundations of speculative fiction—sci-fi, fantasy, and everything in between—through short stories by writers Lesley Nneka Arimah, Ted Chiang, Carmen Maria Machado, Octavia Butler and Samuel Delany. We’ll read, discuss and write, focusing on worldbuilding, creating memorable characters and crafting plots that push against expectations. A big part of the workshop will be exploring ways to subvert genre conventions, so your stories feel both surprising and meaningful. By the end, you’ll have practiced the core elements of speculative fiction, experimented with breaking the rules, and had the opportunity to develop original stories that blend imaginative worlds with emotional depth.
francesca ekwuyasi is a learner, artist and storyteller born in Lagos, Nigeria. She was awarded the Writers Trust Dayne Ogilvie Prize for LGBTQ2S+ Emerging Writers in 2022 for her debut novel Butter Honey Pig Bread (Arsenal Pulp Press, 2020). Butter Honey Pig Bread was also shortlisted for a Lambda Literary Award, the Governor General’s Literary Award for Fiction, the Amazon Canada First Novel Award and longlisted for the Scotiabank Giller Prize and the Dublin Literary Award. Butter Honey Pig Bread placed second on CBC’s Canada Reads. Canada’s Annual Battle of the Books, where it was selected as one of five contenders in 2021 for “the one book that all of Canada should read.” francesca’s writing has appeared in the Malahat Review, Transition Magazine, Room Magazine, Brittle Paper, the Ex-Puritan, C-Magazine, Vol. 1 Brooklyn, Canadian Art, Chatelaine and elsewhere. Her short story Ọrun is Heaven was longlisted for the 2019 Journey Prize. She co-authored Curious Sounds: A Dialogue in Three Movements (Arsenal Pulp Press, 2023), a multi-genre collaborative book with Roger Mooking.
In this four-week workshop, we’ll explore the core elements that make romance stories compelling: strong, layered characters, meaningful conflict, and emotional arcs that captivate readers. Each week features a short story from a different storytelling tradition, including the nuanced intimacy of diaspora and immigrant narratives, the complexity of queer love stories, and the imaginative twists of speculative and time-bending romance. We’ll examine how each style shapes tone, pacing, and theme, and how these approaches can be used to challenge and subvert familiar romance tropes in striking and compelling ways. You’ll leave the course with the tools to create fresh, culturally rich stories where romance is woven into an emotionally authentic narrative.
francesca ekwuyasi is a learner, artist and storyteller born in Lagos, Nigeria. She was awarded the Writers Trust Dayne Ogilvie Prize for LGBTQ2S+ Emerging Writers in 2022 for her debut novel Butter Honey Pig Bread (Arsenal Pulp Press, 2020). Butter Honey Pig Bread was also shortlisted for a Lambda Literary Award, the Governor General’s Literary Award for Fiction, the Amazon Canada First Novel Award and longlisted for the Scotiabank Giller Prize and the Dublin Literary Award. Butter Honey Pig Bread placed second on CBC’s Canada Reads. Canada’s Annual Battle of the Books, where it was selected as one of five contenders in 2021 for “the one book that all of Canada should read.” francesca’s writing has appeared in the Malahat Review, Transition Magazine, Room Magazine, Brittle Paper, the Ex-Puritan, C-Magazine, Vol. 1 Brooklyn, Canadian Art, Chatelaine and elsewhere. Her short story Ọrun is Heaven was longlisted for the 2019 Journey Prize. She co-authored Curious Sounds: A Dialogue in Three Movements (Arsenal Pulp Press, 2023), a multi-genre collaborative book with Roger Mooking.
Creative nonfiction and personal essay are powerhouses in the story-telling genre–they merge real life with literary technique, including dialogue, scene building and narrative. This course will assist you in finding your voice as a non-fiction writer and locating the heart of your story, as well as finding creative ways to tell these stories. In addition to traditional essay forms, we will explore unconventional literary non-fiction styles by playing with structure and trying out a variety of forms like the braided essay, the Abecedarian, the Hermit Crab and more. This 8-week non-credit course will include assigned essay readings each week, as well as generative writing exercises and opportunities for sharing work and receiving feedback.
Adrienne Gruber is an award-winning writer originally from Saskatoon. She is the author of five chapbooks, three books of poetry, including Q & A, Buoyancy Control, and This is the Nightmare, and the creative nonfiction collection, Monsters, Martyrs, and Marionettes: Essays on Motherhood. She won the 2015 Antigonish Review’s Great Blue Heron poetry contest, SubTerrain’s 2017 Lush Triumphant poetry contest, placed third in Event’s 2020 creative non-fiction contest, and was the winner of SubTerrain’s 2023 creative non-fiction contest. Both her poetry and non-fiction has been longlisted for the CBC Books awards. In 2012, Mimic was awarded the bp Nichol Chapbook Award. Adrienne lives with her partner and their three daughters on Nex̱wlélex̱m (Bowen Island), B.C., the traditional territory of the Coast Salish peoples.
Writing Your Family Story is a workshop for writers at all stages of their practice interested in crafting memoir and intergenerational stories. The eight-week session will ask students to consider the reasons they want to tell their personal and family stories and to broaden their understanding of how they know what they think they know. The course, which will include in-class workshopping and light homework, will address approaches to memorializing, witnessing, or interrogating familiar stories, and also build in discussions of concrete skills, such as framing, structure, point of view, interviewing and research.
Lezlie Lowe teaches in the journalism program at the University of King’s College, the Dalhousie University Creative Writing program, and the King’s Master of Fine Arts in Creative Nonfiction program. Her first book, No Place To Go: How Public Toilets Fail Our Private Needs, was listed as a top-25 pick by CBC Books and The Toronto Star, and one of the top 100 books of the year by the Globe and Mail. The Volunteers: How Halifax Women Won the Second World War was released in 2022.
Open to all levels, this course is a super creative, supportive opportunity for anyone curious to learn and practice the techniques and traditions involved in telling a story for the screen. Each week, we’ll explore core elements of the craft—character, conflict, tone, plot structure, action-writing and dialogue. We’ll also cover script formatting standards, try out screenwriting software, screen film clips and study excerpts from professional scripts to help us shape our own visually compelling, emotionally resonant scenes. There are no grades and no pressure to produce polished work in this course. Instead, through regular writing prompts and opportunities for feedback, this course offers an encouraging and relaxed space to brainstorm, outline and begin to script your own unique stories.
Genevieve Scott (she/her) is a Canadian writer and writing teacher based in Irvine, California. Genevieve has written two novels—Catch My Drift (2018) and The Damages (2023)—and is currently at work on her third novel, The Fortunate Ones, which will come out in summer 2027. For over a decade, Genevieve has written and story-edited for screen, working on both short and feature-length film scripts. Her short films Survival Guide and Kissing Drew have screened at festivals worldwide. She was Story Editor for the 2021 Canadian indie feature Jump, Darling, starring Cloris Leachman in her final role. This feature film has played at more than three dozen festivals around the world and received multiple awards. Genevieve teaches in the fiction MFA program at the University of King’s College, and also at the Laguna College of Art + Design in Laguna Beach, CA.